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buzz builds brands

The media landscape continues to evolve and the way we view media is changing just as quickly. Internet-based TV is coming of age through the growing number of smart TVs and mobile streaming, which adds to other new channels including social media which continue to grow exponentially. And the divergence of media across these many and increasing channels – online, mobile, social, viral, web – demands ever more radical thinking and fresh ideas to create or maintain visibility of a brand within the broader cultural mix, ideas which are cost effective, successful and measurable.

For consumer brands, that have historically relied heavily on TV advertising, this places an increased urgency on finding ways to maintain visibility in culture – ways that can be measured, are efficient, and reach big audiences. Some of these ideas are relevant to brands with smaller marketing budgets and in business to business marketing, as the principles are just as applicable. The focus is on creating a viral ‘buzz’ to generate interest and high cultural capital to gain high rates of media impressions.

The power of some of these channels is evident not just in marketing brands, but in causes – the Arab Spring and Occupy Wall Street movements have used them to gain literally world changing impact. Whilst the scale and driver for these issues is altogether more significant than mere marketing, there is no doubt they reflect a mood for change leading more and more organisations to become genuinely involved with corporate social reasonability issues. That’s not just publishing a bland statement on a website page, but to actively support relevant agendas be they ecological, charitable or even political. Examples include companies with a strong CSR focus at their very core such as Innocent Smoothies and The Cooperative or initiatives such Nikes’ recent auction of its ‘Back for the future’ mags on eBay raising $11.3 Million for the Michael J Fox Foundation.

Aligning a brand with a cause can create direct business benefits as building a reputation as a responsible organisation helps to differentiate a business in a competitive environment, and dealing with suppliers who take a responsible approach, is now often part of engagement criteria. Organisations naturally favour suppliers who demonstrate responsible policies, as this can have a positive impact on how they are perceived by their own customers. Increasingly they are not just preferring to deal with responsible companies, but insisting on it. There is a strong argument for brands to present themselves as socially responsible [and environmentally aware] and it’s critical that they accountable and transparent.

Sometimes, if the context of a situation is interrupted by the unexpected it can challenge our perceptions or at least attract our attention as we naturally try and understand what’s going on. Anytime an environment, be it urban, personal, retail or otherwise is affected from what we expect it to be, it can dramatically interrupt our sense of context, gaining our attention and generating that elusive ‘buzz’. Ideas that force an opinion, or divide opinions, and create debate will nearly always create a fair share of ‘buzz’. Often the conversational ‘buzz’ is a reaction of strong opinions and expressing the sentiment of the topic – be it humour, anger, sympathy, or any other potent emotion. These topics become imitated and often morphed to increase the entertainment value of the reaction, which we’ve seen recently in the press and on social media sites – from “Winning” with Charlie Sheen, to planking and tebowing. Ideas that can spark interest and prompt others to mimic and interpret an idea in their own way are growing, driven by the ease of sharing content through social media.

Marketing concepts that use supposedly leaked or risky ideas can allow brands to gain impact covertly, even if it’s only for a short while. Ideas that feel like they’re pushing the boundaries of acceptability or are apparently secret or even that might be mistakes, often spread quickly. Threshers, for example, leaked a voucher worth 40% off booze via the internet which was supposedly only intended for retail partners. The myth that Threshers had mistakenly released the voucher made the word spread faster and faster round the country via email, social networks and blogs. Threshers told the media that they were worried about losing money on the promotion but no doubt ended up making a huge profit and getting more publicity in a month than they got for the previous year. And a recent Diet Pepsi campaign used a video of David Beckham taking seemingly impossible place kicks into a rubbish bin. The clip, posted to YouTube, generated a frenzy of media interest and social media discussion over the incredible shots – were they real or computer generated.

Whilst an A-list celebrity like Beckham generally guarantees coverage, they’re beyond the reach of most businesses. However it’s possible to create that much sought after ‘buzz’ by finding innovative ways to generate new stories, which can translate buzz into real momentum and performance for the brand. ‘Buzz’ builds the awareness and recognition of brands, if it’s original and well-managed it can achieve bigger impact thought using these new media channels – way beyond the equivalent advertising spend.

Blog about blogs

We were just thinking ‘it’s been a while since we blogged’ and that maybe we should. But then we thought ‘what should we blog about?’ which led us to the dilemma of quality of content versus frequency of posts. Which led us, in turn, to blog about blogs.

Quite often the sentiment is there but exactly what to blog about is the question, as we’ve just proven. When writing blogs we think that content is crucial and whether your audience will find it engaging and interesting or not. Blogging out of obligation, blogging because you feel you have to post a blog every week, is probably a mistake. Generally speaking, people don’t like and spread content because of when it was blogged; they spread content because it appeals to them, it’s interesting and they think others would be interested too. This might be useful information such as ‘How To’ guides, proven case studies highlighting a return on investment or business success, a real-life experience demonstrating expertise, passion or knowledge or perhaps an open and engaged topical discussion – whatever it is, it’s definitely NOT a hard sell.

This may seem obvious advice, but there are a surprising number of blogs out there that are too focused on direct selling and so not really of any interest to the audience – beyond anyone who actually wants to buy who are probably already in dialogue through the sales process anyway. Social media is not a sales pitch; it’s about engaging with your target audience.

Perhaps, in order to generate interesting content, social media should be corporate-wide initiative? This can still have controls but allows team members to get involved and add to the overall interest of the content.

RIP DW

My Design Week magazine arrived this morning, as usual, with the cover bearing a simple message: ‘The Last Issue. Design Week closes after 25 years.” Having been a subscriber for at least half of those 25 years, with many boxes of old editions in the garage, I have to say it’s a sad if not wholly surprising day having seen the publication get thinner and thinner. On reading the detailed announcement it seems that DW is to continue as a digital service providing daily emails and its website with industry information and comment. But there’s nothing quite like ripping open the poly bag and reading DW over a coffee and a digestive, then to mark up or tear-out features of interest, indeed next to my desk is a pile of assorted magazines, articles, brochures and prints half of which are Design Weeks folded open on various pages or interesting images. I guess, as an advocate and producer of digital media, this might sound like crocodile’s tears and some might say you get what you wish for, but there’s a time and a place for everything and I do like a good magazine with well designed spreads, strong images, good writing.

On the upside those boxes in my garage might become collectable.

So I went up to The Storey in Lancaster, a labyrinthine and fascinating venue ran by an equally fascinating Chief Executive with more connections than a Meccano Ferris wheel set and a business CV that wouldn’t flatter a Dragon’s Den panelist, with some nervousness but no real expectations. That nervousness was soon dissipated by a friendly compere – Byron Evans of Wallop Video who must be just as comfortable in front of a camera as behind one, a quick pint of Peroni and some fat comfy leather couches which set a relaxed and homely tone. Although this is reduced somewhat when you look up to see a lecture theatre with rows of faces looking back at you.

The debate soon found itself sidetracked by what exactly constituted a ‘big’ agency these days although the panel was well placed to consider this with a fairly representative spread – ourselves with a dozen people, Wash Design with 5 or 6, Juice Digital again 6 but part of Tangerine PR which is in the mid 20s and Red C Marketing at 42. Perhaps predictably it was the PR guy, Steve Downes,, who proposed that it wasn’t numbers of people or revenues but ‘fame’ that mattered. Rather trickily, this is unquantifiable, although the success of the likes of ‘Love Creative’ has clearly built a reputation leading to work from some big brands. Such examples also reinforce my assertion that it’s all about doing a good job.

Unquestionably size has been less and less of a determining factor which is evident in all the small agencies working on big brands, although capacity must have some bearing. Over the last 20 years or so, the best regional agencies such as The Chase in Manchester and Attik in Leeds, have broken London’s stranglehold on the industry through the excellence of their work setting a new precedent for big corporates to source creative work outside London.

Personally, I believe technology has also played a massive role to assist this and in two ways; firstly as a communications enabler – you don’t need to be next door to your clients with email, electronic documents and innovations like video conferencing and Skype. For example we’re currently working on a project for HP’s Ericsson account in Sweden, the final stages of which have seen alts made in real time in Indesign on our machines, viewed in their virtual conference suite. Secondly, very the nature of the job includes ever increasing digital media involving new skills and technologies. It’s often been smaller agencies that have reacted faster to learn and adopt the skills to deliver these emerging media – web, mobile, apps, viral – and so, when companies have needed these skills, they’ve had to work with smaller agencies either directly or through partnerships. Then, assuming they’ve delivered, credibility is built and any wariness dispelled. This, in turn, leads to more work for them and opportunities for other specialists of any size. At least that’s our experience.

The latest version of our irregular newsletter ‘brief distraction’ has been published. It features some of our recent work with an emphasis on our website projects including new sites for Senator, Orbium, Nestlé and Bolton Council. You can request a copy from our website:

www.bd2.net – just enter your details into the form at the foot of the page and click the newsletter box.

Let the blogging begin

We’ve decided we’ve stood on the sidelines for long enough and it’s time to enter the fray, so welcome to bd2′s new blog. Our plan, and there is a plan, is to post fairly interesting stuff on a fairly regular basis. Admitedly, as plans go, it’s not necessarily the most ambitious or committed one ever conceived, but it’s a start. Longer term we’re thinking of progressing to ‘more interesting’ and ‘quite regular’ with occasional ‘very interesting’ and ‘often’. We’re thinking ‘fairly interesting’ includes our own news, such as what we’re up to – new projects and new clients – as well as general happenings in the studio. Then there’s the other things that we find interesting; maybe it’s a great piece of design; or an exciting image; perhaps some clever piece of technology we’ve come across; or website we wish we’d done. And there’s plenty of interesting things going on in industry that we might feel the need to comment on; articles, conferences, surveys and seminars. Our objective then is equally understated and can be summed up as ‘let’s see how it goes’.

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